POLITICALLIFEWRITING · MASS POLITICAL LIFE WRITING
Horizon 2020 — Marie Skłodowska-Curie Actions
- Duration
- 2015-09-01 → 2017-08-31
- EU contribution
- €195,455
- Participants
- 1
- Scheme
- MSCA-IF-EF-ST
Lines connect the coordinator with its partners.
Results in brief
MASS POLITICAL LIFE WRITING
Autobiography is part of our everyday life: writing and enunciating our self has become such a common practice that we no longer notice.. We watch TV talk shows where people tell their painful life stories, we expose our daily life through posts and pictures on Facebook and other social media and we write and rewrite our curriculum vitae to be up to date on changes in the labour market. Telling the self blends together entertainment, new ways of communication, organisational duties, and so on. This research project offers a different perspective on the contemporary autobiographical culture we live in. It goes back to our recent past to consider the political use of autobiographical practices in the 20th century. It does not focus on the traditional political autobiographies such as memories of great leaders, important statesmen or heralds of revolution and social change. Rather, it takes into account the mass widespread mass political use of the autobiographical form as a tool of self-transformation for communist party members and second-wave feminist militants in Italy after the Second World War. Italian communism inherited the autobiographical duty for militants from Bolsheviks in the 1940s while second-wave feminism discovered the importance of self-enunciation through the experience of consciousness raising groups in 1970s. My work takes into account these two political movements as case studies to examine how autobiography works as a political means of self-transformation and emancipation. How did communists use the autobiographical practice? How did feminists employ this practice? Was there a common autobiographical mechanism both communism and feminism were exploiting to their political aims? What is the difference between communist and feminist self-enunciation? My research project has attempted to answer these questions in order to shed a new light on differences and similarities between old and new left cultures in the 20th century by using autobiography as an innovative way to interpret them. Moreover, the study of these two autobiographical culture focussed on self-enunciation as a way to emancipate individuals – working class members and women – will help us to have a better understanding of the culture we live in with its emphasis on the self and its right to tell and express itself. My investigation is rooted in the European past to comprehend the present – or at least some facets of it – of European culture, by focusing on a transnational phenomenon such as autobiography as a means to build our present political and social identity.
Data: CORDIS, © European Union
Project objective
Self-narration is extraordinarily common in contemporary culture. The practice constitutes an extremely popular literary genre, is widespread on the internet in the form of diaries updated daily by huge numbers of web users, and is used in organisational training and as a tool in personal therapy education. Employing an interdisciplinary approach – drawing on social history, sociology, semiotics and textual analysis – my research project will examine one of the ""archaeological"" elements underpinning this success: the mass political use of the autobiographical form, first by communism and subsequently by feminism after the Second World War, with a focus on the Italian experience. The Italian Communist Party (PCI) was the largest communist party in the Western world, and Italy’s experience of feminism is one of the most significant on the European continent. Both movements made intense political use of the autobiographical form. The Italian communists inherited the activist autobiographical framework characteristic of the Bolshevik experience. Self-narration was a prerequisite to joining the PCI until the second half of the fifties; however, this organisational practice became obsolete over the course of the sixties. The link between autobiographical accounts and political activism was subsequently revived by feminism in the seventies, in the context of consciousness raising groups. The main objectives of the project are the following: A) to analyse the mass political use of the autobiographical account in Italy since the Second World War; B) to use this analysis to produce an innovative interpretation of the actual success of self-narration. They will be fulfilled through research in the archives of the PCI and the Italian feminist movement. I will use Italian historical events as a case study to highlight the obscure political origins of a specific activity – self-narration – that unites various contemporary national cultures of Europe in a transnational manner. ""
Original text from CORDIS.
Participants
- THE UNIVERSITY OF MANCHESTER · ManchesterCoordinatorUnited Kingdom
Links
Data: CORDIS, © European Union
