H2020Individual fellowship2016–2018

YnotSing · Evolution of sexual dimorphisms: all about losing not choosing?

Horizon 2020 — Marie Skłodowska-Curie Actions

Duration
2016-09-01 → 2018-08-31
EU contribution
€165,599
Participants
1
Scheme
MSCA-IF

Lines connect the coordinator with its partners.

Results in brief

Evolution of sexual dimorphisms: all about losing not choosing?

Animals exhibit a diverse array of elaborate communication traits, like flashy colors and song. Such elaborate traits were long thought to have evolved primarily in males through sexual selection. However, females of many animals are ornamented, too. Specifically, research we published in 2014 showed, that female song is surprisingly common and most likely was ancestral in songbirds. Thus, the diversity of bird song we see today must be due, in part, to female song becoming reduced or lost in some lineages. In order to understand how complex bird song evolved in males and females, in this project supported by a MSCA-IF fellowship, our goals were to (1) document and quantify similarities and differences in female and male songs, (2) examine how female and male songs have changed through evolutionary time, and (3) to identify what factors have led to elaborate song in both sexes in some lineages, but losses of female song in others. To quantify the world’s diversity of bird song requires recordings and documentation of female bird song from many different species of songbirds. Female bird song is underrepresented in biological collections, however. To address this, we worked with Xeno-canto, the largest online database of bird songs, sponsored by Naturalis Biodiversity Center, and Cornell’s Macaulay Library of Natural Sounds to create a citizen science project (www.femalebirdsong.org). This project directly addresses citizen scientists, birders, and wildlife recordists encouraging them to submit observations and recordings of female bird song to biological collections and to raise the research community’s awareness of the deficit of female bird song in collections so that they can also work to right this imbalance. The great diversity in singing styles has led to species specific methods to describe individual and sex-specific variation in song. While this has allowed us to zoom in on individual differences within a species, it has hampered comparative work which requires metrics that are standardized across species. To address this we worked with researchers form Queen Mary University of London to devise methods for quantifying female and male song to be compared on a phylogenetic tree of species relationships. Altogether, our research will help us understand how female as well as male songbirds evolved their range of complex songs. Documenting the evolutionary processes responsible for these kinds of diversity are key to understanding how life has been shaped on our planet.

Data: CORDIS, © European Union

Project objective

Males and females often differ dramatically in phenotype, with one sex exhibiting elaborate ornaments absent in the other. Darwin suggested such dimorphism evolves through sexual selection on males to attract females and repel rival males. Ever since, this framework served to explain why males are showy and females drab. Song in songbirds was a classic example (males sing and females are silent) until our recent research showed that female song is phylogenetically widespread and probably ancestral. Thus, current sex differences in song must have at least partly resulted from females evolving away from males by losing song. Therefore, the key question is not what has led to elaboration in males, but rather, what is responsible for losses in females. I will engage a network of experts from three EU institutions and the general public to participate in addressing this new, pertinent question of trait loss in a large-scale phylogenetic analysis across songbirds. I will focus on three goals important to progress in this field: (1) develop an urgently needed single quantitative score to compare song structure among species, (2) determine how gains and losses of song structure in each sex contribute to overall dimorphism, (3) compare dimorphism to a broad range of ecological and natural history correlates. From the host and partners, I will receive expert training through research in animal communication, bioacoustics, and character evolution, including advanced sound analysis tools during a Secondment and leadership training through a major citizen science project with xeno-canto, the world’s largest bird song database. This inclusive mentorship and training will equip me with diversified and advanced skills to contribute to this important research question and embark on my career goals of leading an independent, integrated research programme in behavioural ecology and evolution.

Original text from CORDIS.

Participants

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Data: CORDIS, © European Union