RHYTHMSYNC · Rhythm synchronization between music and spoken language
Horizon 2020 — Marie Skłodowska-Curie Actions
- Duration
- 2017-04-01 → 2019-03-31
- EU contribution
- €159,461
- Participants
- 1
- Scheme
- MSCA-IF-EF-ST
Lines connect the coordinator with its partners.
Results in brief
Rhythm synchronization between music and spoken language
Rhythm pervades the universe. Most natural and cultural phenomena are governed by rhythm. The waves of the sea move rhythmically, we walk rhythmically, our heart beats rhythmically and music as well as dance is rhythmic. While the elements that establish rhythm in different natural and cultural phenomena may vary, humans are thought to perceive rhythm whenever alternation or a regular occurrence of elements in time occurs1. Rhythm is thus vital for a wide range of cognitive abilities, ranging from time perception and building expectations of future events, to perceiving and producing spoken language, music as well as dance. Yet despite considerable research in various cognitive domains, comparing different rhythmic phenomena directly is difficult. The cognitive machinery necessary for rhythm perception and the role it plays in various cognitive domains remains poorly understood. This project investigated how rhythms in music and language interact by exploiting the fact that the perception of auditory rhythm is often spontaneously accompanied by synchronized rhythmic motor behavior. When we listen to music we often tap our finger or our foot to the beat of the music. Also, when we speak our hands and our head move in synchrony with the prosody of our spoken utterances. How does rhythmic synchronization between language and music – that are both highly modular cognitive abilities – occur? How does the mind resolve the differences in the basic elements carrying rhythm in language (consonants vs vowels) and in music (beats)? How is the production of musical rhythm synchronized to the speech signal, and does it differ from the way the production of speech or song is synchronized to musical melodies? This project therefore had the following Objectives: 1) To investigate rhythm perception by looking at how rhythm interacts in two highly modular cognitive abilities – i.e. language and music. 2) To exploit rhythm synchronization as a direct online measure for comparing rhythm in language and music. 3) Determine how the human mind resolves rhythmic conflicts between speech and music. 4) Explore how the predisposition for rhythm synchronization interacts with developmental factors by studying infants at different developmental.
Data: CORDIS, © European Union
Project objective
Rhythm perception is important for a wide range of higher cognitive abilities ranging from time perception to predicting the occurrence of future events, from perceiving language to dancing to the beat of the music. Despite considerable amount of research in rhythm in various scientific disciplines, the way the human mind perceives and produces rhythm is not fully understood. While many interdisciplinary studies look at how performance in one cognitive domain compares to performance in another, it has proven difficult to link the mechanisms for rhythm perception across perceptual and cognitive domains directly. This project therefore looks how rhythm in music and spoken language interact by relying on rhythm synchronization: i.e. the phenomenon that our mind tends to automatically synchronize our motor-activity to the rhythm we perceive auditory (e.g. tapping a finger to the beat of music, the gestures that accompany speech, and singing). Because rhythm in spoken language and music is shaped by experience with culture specific music and our native language, in addition to adults, this project also studies young infants from birth through the crucial early stages of vocal and motor development. The studies in this project rely on a combination of acoustic analyses and electrophysiological methods (sEGM) to determine how rhythm in language and music is synchronized, how synchronization unfolds in time and how differences in rhythm in the two domains affect rhythm synchronization. By looking at similarities and differences in the rhythm of spoken language and music, the project attempts to create a blue-print of the shared and domain-specific cognitive mechanisms necessary for rhythm processing. Because we are surrounded by rhythm in our everyday life, the study of rhythm synchronization can thus help us understand how different rhythms interact and how they influence our daily life and our behaviour.
Original text from CORDIS.
Participants
- UNIVERSITAET POTSDAM · PotsdamCoordinatorGermany
Links
- View on CORDIS
- DOI: 10.3030/748909
- https://arquivo.pt/wayback/20201230011728/https://www.researchgate.net/profile/Alan_Langus
Data: CORDIS, © European Union
