H2020Individual fellowship2017–2019

INTIMAL · Interfaces for Relational Listening: body, telematics, memory, migration

Horizon 2020 — Marie Skłodowska-Curie Actions

Duration
2017-09-01 → 2019-08-31
EU contribution
€208,400
Participants
1
Scheme
MSCA-IF-EF-ST

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Results in brief

Interfaces for Relational Listening: body, telematics, memory, migration

In the European context of migration and diasporas, and at the intersection of sound art, music cognition, psychology and human-computer interaction, this project developed the first phase of INTIMAL: a physical-virtual system for relational listening, exploring the role of the body as interface that keeps memory of place, within the practice of telematic sonic performance (between distant locations). INTIMAL was informed by nine Colombian migrant women in Europe listening to their “migratory journeys”, and an oral archive, collected by the organisation Diaspora Women. The system was developed to integrate the body movements of performers (and their voices) with the oral archive. INTIMAL created two modules: MEMENTO and RESPIRO. MEMENTO is a navigator of an oral archive with Colombian women’s testimonies of conflict and migration; and RESPIRO, is a sonification patch that transmits real-time breathing data across different locations. The research participants tested the system in a telematic sonic performance between the cities of London, Oslo, and Barcelona. INTIMAL proved to be a catalyst for creating processes of collective remembering and catharsis, within the context of Colombian post-conflict and peace building. Specifically the research project aimed to: 1. Develop the first phase of INTIMAL, a ‘physical-virtual’ embodied system, to support migrants’ interaction with body, voice, memories, dreams, and oral history archives, integrating it into a telematic sonic performance artistic practice. 2. Develop, with an interdisciplinary perspective, the concept and method of “relational listening”, incorporating embodied technological innovations, involving ”memory” in the context of migration. 3. Engage a group of nine Colombian migrant women in relational and deep listening informing the development of INTIMAL for the exploration of individual and collective embodied memories of place. 4. Train the researcher in state-of-the-art technologies through the technical development of INTIMAL. 5. Evaluate how this listening method and creative practice contribute to healing processes of women migrants within the context of Colombian post-conflict and peace building. 6. Envision the next stages of the modular system INTIMAL and its wider scientific, artistic, and societal uses, as well as the concept and method of relational listening, expanding and strengthening the researcher’s profile and career horizons.

Data: CORDIS, © European Union

Project objective

In the European context of migration and diasporas, and at the intersection of sound art, music cognition, psychology and human-computer interaction, this project will develop INTIMAL: a novel physical-virtual “embodied system” for relational listening. Through the artistic practice of telematic sonic performance this system will interconnect people’s bodily motion and voice with their memories and dreams of distant locations. The fellowship aims to equip the researcher with cutting-edge tools and transferable skills for creating sonic relations for both well-being and healing, tackling important societal challenges of migration.The project will use a unique practice-based methodology, combining different types of listening: relational listening (in dialog with the surroundings), deep listening (sonic meditations, dream and body awareness), networked listening (through telematic performance), and body sonification (translating motion to sound). These will inform and be informed by the development of the modular software platform INTIMAL. As a case study, nine Colombian migrant women in Europe will test INTIMAL in their listening experiences as a catalyst for healing and reconciliation within the context of Colombian post-conflict and peace building.At the University of Oslo the researcher will gain artistic, conceptual and technological skills through: (a) the exploration of artistic, psychological, scientific and cultural implications of capturing the body while listening; (b) the development of spatiotemporal models that interrelate data sources using a graphical programming environment (Max with Jamoma) in a system; (c) the development of complex and meaningful relational processes for telematic sonic performance.Throughout the two years the project will reach academic and non-academic audiences, opening career opportunities for the researcher’s unique profile for the design of interfaces for relational listening, within a variety of dislocation contexts.

Original text from CORDIS.

Participants

  • UNIVERSITETET I OSLO · OsloCoordinatorNorway

Links

Data: CORDIS, © European Union