H2020Individual fellowship2018–2021

PiCoBoo · 19th-Century European Picture-Books in Colour

Horizon 2020 — Marie Skłodowska-Curie Actions

Duration
2018-09-24 → 2021-07-13
EU contribution
€195,455
Participants
1
Scheme
MSCA-IF-EF-ST

Lines connect the coordinator with its partners.

Results in brief

19th-Century European Picture-Books in Colour

The PiCoBoo project investigated 19th-century European picturebooks printed in colour for children. It assessed their significance as a catalyst for major cultural and social changes and offered the first comprehensive analysis of a large genre of books that, although mass-produced and of undoubted significance to the history of print as well as many individuals’ reading experiences, was still almost entirely neglected by scholarship. From the mid-19th century, the supremacy of monochrome had come to an end. For the first time, large numbers of readers were seeing the world in colour: this had important implications for many aspects of culture, society and the economy, leading to a completely new visual culture. Remarkably, this major revolution in visual culture had its origins in books for children, and yet these colour picturebooks – the first titles successfully published on a mass scale in colour – have seldom been subjected to scholarly consideration. PiCoBoo filled this lacuna, providing the first detailed account of when, where and how these books were made, of who produced them and for what audiences. It analysed what their long-term influence was, across national boundaries, and placed them in larger cultural, publishing and visual histories. In collaboration with some of the major collections of these books in the world, PiCoBoo brought new attention to this important chapter in the history of the book. PiCoBoo had two main research objectives: (a) to improve catalogue records and establish new descriptive protocols, achieved through the construction of an international network of institutions and through the creation of an open-access database, and (b) to offer a detailed account of these picturebooks, through publications and exhibitions. Researcher Francesca Tancini has been supported by the unique expertise of Prof. Matthew Grenby at Newcastle University and of one of the most eminent children’s book historians of his generation, Brian Alderson. PiCoBoo project has been hosted by the Children’s Literature Unit at Newcastle University, in partnership with Seven Stories, The National Centre for Children’s Books, with a secondment at the Victoria and Albert Museum, London.

Data: CORDIS, © European Union

Project objective

The PiCoBoo project aims to assess the significance of 19th-century European picture-books, printed in colour for children, as a catalyst for major cultural and social changes. From the 1830s, new techniques were developed that allowed to print colour in a cheaper, greater and more refined extent: for the first time, people – no matter their age, gender, social class, ethnicity, nationality – saw the world in colour.It is remarkable that this major revolution in visual culture had its birth in books for children. It is doubly remarkable that neither children’s book scholars nor book historians have investigated the genesis, development and effects of this major shift in print culture. We lack studies of how colour became prevalent in children’s books, expanded more widely through print and spread across national boundaries.PiCoBoo will draw new attention to this important chapter in the history of the book through publications, exhibitions and conferences. Adopting an object-based interdisciplinary approach, this will be the first detailed account of 19th-century colour picture-books for children: what they were, when, where and how they were made, who produced them and for whom, what their role in cultural, publishing and visual history and their long-term influence.In the absence of European aggregators of children’s books, PiCoBoo will build a network of collections of colour picture-books and, in the unreliability of collection and library catalogues, it will establish protocols for recognising and cataloguing them.PiCoBoo will be hosted by the Children’s Literature Unit at Newcastle University, UK, with a Secondment at the Victoria & Albert Museum, London, and in partnership with Seven Stories, the UK’s National Centre for Children’s Books. It is especially timely because only recently the Alderson Collection, the most significant gathering of British children’s books still in private hands, has been donated to Newcastle and made accessible to the public.

Original text from CORDIS.

Participants

  • UNIVERSITY OF NEWCASTLE UPON TYNE · Newcastle Upon TyneCoordinatorUnited Kingdom

Links

Data: CORDIS, © European Union