H2020Individual fellowship2018–2020

OttMed · Reassessing Late Ottoman Literatures within a Mediterranean Framework

Horizon 2020 — Marie Skłodowska-Curie Actions

Duration
2018-06-01 → 2020-05-31
EU contribution
€145,846
Participants
1
Scheme
MSCA-IF-EF-ST

Lines connect the coordinator with its partners.

Results in brief

Reassessing Late Ottoman Literatures within a Mediterranean Framework

OttMed has analyzed nineteenth-century Ottoman Turkish and Arabic literary texts as part of Mediterranean literatures, as these texts received little attention in Mediterranean studies. I focused on the nineteenth century because many historians have claimed that this period witnessed crucial transformations that gave arise to current political and cultural dynamics within the Mediterranean, including the dissolution of the Mediterranean cosmopolitanism due to the emergence of nation-states. Thus, my project gave a close reading of literary works from diverse linguistic traditions such as French,Arabic, Ottoman Turkish, and Karamanlı (Turkish written in Greek letters). Each close reading generated a particular vision of the Mediterranean and its history by describing the region from one vantage point such as Algeria, Istanbul, or Malta. For further enriching the literary analysis, this project has used archival research and digital humanities techniques to map out travel itineraries of authors who composed these texts. By building upon various fields and disciplines such as postcolonial studies, world literature, and art history, I have examined issues that still shape the modern Mediterranean, such as exile, modernization, and migration. Overall, my project has brought together different vantage points that were not studied together for generating a more multilayered vision of the Mediterranean Sea and its basin. OttMed has contributed to H2020 Societal Challenge “Europe in a Changing World” through three means: (i) It has demonstrated that the political and social transformations throughout the Mediterranean in the nineteenth century have played a crucial role in shaping what Europe, Middle East, and Mediterranean designate today. (ii) It has revealed that the key issues that have shaped the modern Mediterranean such as exile and the rise of Islamism, partly stem from key transformations of the nineteenth and early twentieth centuries such as the impact of global capitalism on the modern Mediterranean and the demise of the Ottoman Empire. (iii) It has emphasized that literary analysis can steer attention to factors that social quantitative analysis often overlooks, as literary criticism points out the emotional impact of key political transformations and reveals the concepts and ideas that have shaped the cultural and political elite.

Data: CORDIS, © European Union

Project objective

Arslan’s project proposes a new paradigm for studying late Ottoman literatures that were written in the nineteenth and early twentieth century and in different languages such as Arabic, Ottoman Turkish, and French by situating these literatures in a multilingual and multicultural Mediterranean framework instead of their respective national communities. His project will build upon three dimensions that constitute the objectives of his study. (i) The history dimension will map out literary and cultural exchanges within the nineteenth-century and early twentieth-century Mediterranean through archival research and digital humanities techniques. (ii) The criticism dimension will demonstrate that thematic preoccupations of Mediterranean literatures—including but not limited to diaspora, travel, imperialism, cultural hybridity, and fluidity of borders and identities—were also defining characteristics of late Ottoman literatures via a close reading of canonical late Ottoman works. (iii) The theory dimension will draw upon the latest debates in postcolonial studies, migration and diaspora studies, and world literature to examine how the Mediterranean can be used as a category of analysis in cultural and literary studies. Building upon these three objectives, Arslan’s project will put two fields—Mediterranean studies and Ottoman studies—in dialogue with each other to generate a disciplinary transformation of both, while undermining the ways in which late Ottoman literatures have been categorised and studied. Having just finished his Ph.D., Arslan hopes to have an advantageous start at his career by the end of this fellowship through completing a substantial portion of a sole-authored monograph, publishing peer-reviewed articles and policy briefs, organising conference panels and communication activities, and joining networks of scholars in North Africa, Europe, and the Middle East who work on Mediterranean and Ottoman studies.

Original text from CORDIS.

Participants

  • KOC UNIVERSITY · IstanbulCoordinatorTürkiye

Links

Data: CORDIS, © European Union