DANCETOPIAS · Dance Heterotopias: (un)making race and gender boundaries through social dances in Cape Town
Horizon 2020 — Marie Skłodowska-Curie Actions
- Duration
- 2021-02-01 → 2023-09-06
- EU contribution
- €192,097
- Participants
- 2
- Scheme
- MSCA-IF
Lines connect the coordinator with its partners.
Results in brief
Dance Heterotopias: (un)making race and gender boundaries through social dances in Cape Town
Social and popular dances create spaces where citizens can assert, transform and play with identity and social norms related to race, class and gender. The EU-funded DANCETOPIAS project studies social dances in African globalised cities. Focusing on South Africa, it explores the history of social dances in Cape Town and provide an ethnography of identity boundaries created through dance. The project aims to map the global dance networks connecting Cape Town to the world. By combining anthropology of globalisation, the approach on identity boundaries and the geography of dance spaces, DANCETOPIAS focuses on certain areas of subversion of racial and gender boundaries that were previously divided by Apartheid. Over the period of my outgoing mobility, my research focused on the encounters, spaces, and experiences occurring through the practice of Afro-Latin couple dances (salsa, bachata, kizomba), and the intimate bodily experiences it raises. Indeed, since the beginning of the 2000s, Cape Town has hosted the growth of a market for Afro-Latin dance classes and partie. Those activities are attended by a majority of middle-class South Africans, who use it as a way to extend their social circles, to shape a cosmopolitan middle-class identity, and to connect to a global network of salsa dancers.
Data: CORDIS, © European Union
Project objective
DanceTopias proposes to analyse the production and transformation of identity boundaries which occur through social dances in African globalized cities, through an analysis of the case of Cape Town. In this city, as in others, social and popular dances create spaces where citizens can assert, transform, and play with identity categories and social norms related to race, class, and gender. In that sense, they represent what Michel Foucault called “heterotopias”, i.e. spaces that disrupt ordinary time. Through a qualitative methodology and an interdisciplinary analysis connecting anthropology, history and geography, DanceTopias will analyse the transformation of spaces and identities through social dances, with a focus on race and gender. This project is structured around three main objectives and methodological entries:1. To trace the history of social dances in Cape Town;2. To provide an ethnography of identity boundaries created through dance;3. To map the global dance networks connecting Cape Town to the world.My research will be conducted through a 21-month outgoing phase at the University of Cape Town, a 3-months secondment at UCL (London), and a 12-month return phase at the University of Geneva. The combination of the anthropology of globalization, the approach on identity boundaries, and the geography of dance spaces will offer an original perspective on the understanding of African urban societies. DanceTopias will also reveal a rarely discussed aspect of contemporary South Africa: it will focus on certain areas of subversion of racial and gender boundaries, where we observe dialogues between social groups and categories that were previously divided by Apartheid. Beyond South-Africa, this analysis on transgressive dance spaces will provide insightful theoretical assets regarding the redefinition of ideas of gender, race and class occurring in urban space-times through ordinary practices, a main issue for globalized urban societies.
Original text from CORDIS.
Participants
- UNIVERSITE DE GENEVE · GeneveCoordinatorSwitzerland
- UNIVERSITY OF CAPE TOWN · RondeboschSouth Africa
Links
Data: CORDIS, © European Union