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H2020Individual fellowship2021–2023

EcoLandscapes · Ecocritical Study of Landscape Representations in Contemporary Art

Horizon 2020 — Marie Skłodowska-Curie Actions

Duration
2021-04-15 → 2023-04-14
EU contribution
€186,167
Participants
1
Scheme
MSCA-IF

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Results in brief

Ecocritical Study of Landscape Representations in Contemporary Art

This research project addresses four interrelated problems and aims: 1. To establish interdisciplinary meeting point for the study of art, ecology, aesthetics and philosophy; 2. Evaluate the role of new imaging technologies in the evolution of landscape as a genre; 3. Reclaim art historical methodologies as the tools of ecological research, thereby 4. Contributing to the re-invigoration of art history as a discipline. This research is important for society because it addresses one of the most urgent global priorities, identified in The UN Sustainable Development Goals as Goal 13: Climate Action. Given that in Europe ecocritical art history is in an early stage of development, this project will help to build a critical mass of European scientific excellence in this field, as well as contributing more generally to formulating a cultural response to the current environmental crisis. The overall objectives for this project are dual. The overall historical aim was to produce a study of contemporary developments in the genre of landscape by approaching new imaging technologies (photography, digital, animation) as not just technical or material supports, but as active participants in the evolution of the genre. The main theoretical aim of the project was to develop new tools for the study of landscape in an ecocritical perspective, through visual and contextual analysis of select case studies, drawn from the work of artists with a sustained engagement with the genre of landscape.

Data: CORDIS, © European Union

Project objective

This interdisciplinary project identifies the genre of landscape as offering rich material for an ecocritical study of art. Ecocriticism emphasizes issues of environmental interrelation, sustainability, and justice in cultural interpretation. Having first emerged in literary studies, over the last two decades environmental and ecocritical enquires flourished in many fields of the humanities. Art history is yet to take an active part in these debates, but this project seeks to demonstrate that art history has a distinct and unique role in formulating a cultural response to one of the most urgent global priorities, identified in The UN Sustainable Development Goals as Goal 13: Climate Action. In this, the aim of the project is to establish a theoretical and aesthetic meeting point for art historical study and the burgeoning concentration of research in ecocriticism and environmental humanities. The objectives of this project are both historical and theoretical. The overall historical aim is to produce a study of the developments in the genre of landscape in the contemporary period (since the 1980s), in the representative case studies drawn from the corpus of European contemporary art. The distinctive feature of this project is to consider new imaging technologies (photography, digital, animation) as not just material supports of landscape pictures, but as active participants in the evolution of the genre. The main theoretical aim of the project is to develop new tools for the study of landscape in an ecocritical perspective, so as to appraise the fundamental shifts in the paradigmatic conceptions of nature and human, and epistemic ramifications of such changes. This project leads to several well-defined outcomes, disseminated to both academic and non-expert audiences.

Original text from CORDIS.

Participants

  • UNIVERSITAT WIEN · WienCoordinatorAustria

Links

Data: CORDIS, © European Union