GOLDEN-ROM · The Golden Age of the Romancero: Echoes of traditional ballads in Medieval and Early Modern Spanish Literature
Horizon 2020 — Marie Skłodowska-Curie Actions
- Duration
- 2021-06-01 → 2023-05-31
- EU contribution
- €147,815
- Participants
- 1
- Scheme
- MSCA-IF
Lines connect the coordinator with its partners.
Results in brief
The Golden Age of the Romancero: Echoes of traditional ballads in Medieval and Early Modern Spanish Literature
"The Golden Age of the Romancero: Echoes of Traditional Ballads in Medieval and Early Modern Spanish Literature" (acronym GOLDEN-Rom, No. 101029346) is a research project conducted at the Instituto de Estudos de Literatura e Tradição (IELT) of the Universidade Nova de Lisboa from 1 June 2021 to 31 May 2023. The project aimed to recover, catalogue, edit and study a collection of almost 1,500 references to romances in Spanish literature from the 15th, 16th and 17th centuries, compiled by one of the first European philologists, María Goyri. Romances are traditional ballads born in the Iberian Peninsula during the Middle Ages, which have been transmitted orally from generation to generation to the present day in Spanish, Portuguese, Catalan, Galician and Judeo-Spanish. This transnational and translinguistic heritage reached its peak of popularity during the 15th, 16th and 17th centuries, a period in which romances were sung daily in a wide variety of contexts. For this reason, late Medieval and Early Modern Iberian literatures are deeply influenced by the romancero and quotes and allusions to romances are frequently spread in literary works. The study of these echoes is important to understand until what extent the romancero influenced Spanish literature, but also to document verses and versions of ballads different from those preserved in manuscripts and books from the 15th, 16th and 17th centuries. Furthermore, the study of these references enables a profound analysis of the romancero in the society of that era, determining the extent to which it was part of everyday life, identifying the most popular themes and uncovering the contexts in which ballads were sung. The importance of this project for society lies in the fact that nowadays we are witnesses of the extinction of the romancero from the collective memory, as the last generations of transmitters are disappearing. One way to preserve and revitalize this endangered heritage is studying its golden age and making it accessible to society, thereby raising awareness of the significant impact that the romancero has left on European literature over its more than six centuries of life. Therefore, the objectives of this project were: 1) To develop an online database in which the echoes to romances collected by María Goyri and subsequent researchers are catalogued, 2) To conduct a comprehensive study on the influence of the romancero in Medieval and Early Modern Spanish literature, considering, for the first time, a corpus of almost 1,500 literary echoes, 3) To perform a comparative analysis of the use of the romancero by Spanish and Portuguese writers from the 15th, 16th and 17th centuries, contrasting María Goyri's inventory with the catalogue of Portuguese references to romances compiled by Carolina Michaëlis.
Data: CORDIS, © European Union
Project objective
One of the strongest branches of European Balladry is the Romancero. Romances are traditional ballads that originated in the Iberian Peninsula in the Middle Ages and have been transmitted by word of mouth from generation to generation for centuries in five European languages (Spanish, Portuguese, Catalan, Galician and Judeo-Spanish). Its heyday was the 15th, 16th and 17th centuries, when romances were sung daily in all social spheres. The Romancero left a deep mark on literature: Gil Vicente, Camões, Góngora, Quevedo, Lope de Vega or Cervantes, among others, took inspiration from romances to create their stories and frequently alluded to them in their works. The study of the influence of the Romancero on Portuguese literature is very advanced since at the beginning of the 20th century, Carolina Michaelis de Vasconcelos published a catalogue with 300 quotations and allusions to romances. However, the same cannot be said for Spanish literature: although the philologist María Goyri managed to gather around 2,000 echoes of romances in Medieval and Early Modern Spanish literature, this valuable inventory still remains unpublished and needs to be revised, completed and updated as to be used by scientific community. In order to fill this significant gap in philology, this project aims 1) to catalogue in an online database each of the echoes of romances in Spanish literature identified by Goyri and later researchers, 2) to analyse the use of quotes and allusions to romances by Spanish writers of the Golden Age and 3) to study the differences and similarities in the use of echoes by Portuguese and Spanish writers by comparing Goyri and Vasconcelos’ inventories. The Instituto de Estudos de Literatura e Tradição of the Universidade Nova de Lisboa is the ideal host for this project as it is one of the few centres in the world dedicated to researching the Romancero. In addition, this project will be supervised by Dr. Teresa Araújo, one of the greatest specialists in the field.
Original text from CORDIS.
Participants
- UNIVERSIDADE NOVA DE LISBOA · LisboaCoordinatorPortugal
Links
Data: CORDIS, © European Union
