H2020Individual fellowship2021–2024

SOC-ILL · Picturing Modernist Future: Women Illustrators and Childhood Conceptions in Socialist Yugoslavia

Horizon 2020 — Marie Skłodowska-Curie Actions

Duration
2021-10-01 → 2024-09-30
EU contribution
€243,060
Participants
1
Scheme
MSCA-IF

Lines connect the coordinator with its partners.

Results in brief

Picturing Modernist Future: Women Illustrators and Childhood Conceptions in Socialist Yugoslavia

After the horrors of the Second World War and the anti-fascist fight for freedom in the framework of the People’s liberation war in which socialist Yugoslavia was founded (1945–1991), the idea of childhood as a special stage in life played a decisive role in the reconstruction and development of post-war society at home and abroad. Children, who made up almost half of the Yugoslav post-war population, were given active social protection and were addressed socially and politically, specifically with education. At that time print was the most important medium of public communication, thus children’s magazines and literature played an important role in addressing children with the ideas that would lead to the post-war renewal of society in socialist terms and a more just global order. Hence, children’s literature provided employment opportunities for a range of cultural workers. It has also opened the doors of the art world to those to whom it had previously remained mostly closed: women and children of the broad masses. The action by the Marie Skłodowska-Curie actions research fellow dr. Katja Kobolt at the The Research Centre of the Slovenian Academy of Sciences and Arts (ZRC SAZU) has introduced the first systematic comparative interdisciplinary investigation into women illustrators in Yugoslav children’s literature. The action has employed a comparative approach, including all of the former Yugoslav republics and regions. It has combined approaches from literary and art history with cultural studies for novel critical insights into artistic work for children, socialist aesthetic education and subjectivation of children, especially in relation to gender. Hereby were particularly considered (i) cultural political, institutional and productional aspects and gendered dimensions of artistic labour, (ii) themes, motifs and images of childhood and gender as well as (iii) the modes and roles of artistic production, aesthetic education and cultural agency in different societal processes of fostering social and economic participation as well as active citizenship.

Data: CORDIS, © European Union

Project objective

The SOC-ILL action introduces the first systematic comparative interdisciplinary investigation into women illustrators in the Socialist Federal Republic of Yugoslavia (SFRY, 1945–1991), paying attention to all former Yugoslav contexts and combining art and literary historical and theoretical approaches with cultural studies for novel critical insights into socialist aesthetic education and subjectivation of children, especially in relation to gender. Through the examination of multiple archives and interviews with older generations of professionals working within the feminized sector of publishing for minors, the action works against their disappearance before any academic documentation can take place. The action entails 3 main objectives: (i) To explore and contextually interpret distinctive childhood- and gender conceptions within Yugoslav publishing for minors; (ii) To map the practice of women illustrators for minors at the intersection between local, regional and international artistic and aesthetic education movements; (iii) To intervene into academic “archiving” by supporting a more complex understanding of socialist modernist aesthetic education and subjectivation. Thus the action contributes to redefinition of the relation between communicative and cultural memory of the European socialist past in the broader fields of Yugoslav, Slavonic, and socialist studies and the disciplines of art, literary and cultural history. These objectives can only be achieved in the proposed collaboration, with my cross-sectorally situated research – my expertise on (post)socialist women’s authorship, i.e. a pioneering thesis on gender, war, and memory and a variety of international scientific and art events – and the beneficiary’s distinctive expertise within the emerging (post)Yugoslav studies. This unique transfer will ensure a notable academic footprint, my full re-integration into science and foster impactful scientific cognizance within a broad range of stakeholders.

Original text from CORDIS.

Participants

  • ZNANSTVENORAZISKOVALNI CENTER SLOVENSKE AKADEMIJE ZNANOSTI IN UMETNOSTI · LjubljanaCoordinatorSlovenia

Links

Data: CORDIS, © European Union