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H2020Individual fellowship2021–2023

BURN-BEYOND · The Architecture of William Burn: Style and Identity in Scotland's Imperial Age

Horizon 2020 — Marie Skłodowska-Curie Actions

Duration
2021-09-08 → 2023-09-07
EU contribution
€212,934
Participants
1
Scheme
MSCA-IF

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Results in brief

The Architecture of William Burn: Style and Identity in Scotland's Imperial Age

This study on 19th-century Scottish architect William Burn, including his use of styles, has stressed the importance of taking into consideration visual culture as an expression of nationhood. The issue addressed was to look at how one of Scotland’s most prolific architects of the early 19th century articulated his patrons’ social aspirations, as well as the vision of their place in the United Kingdom, at a time of profound socio-economic transformations. This study has shown that it is possible to go beyond the standard historiography which looks at 19th-century Scotland as reflecting ‘unionist nationalism’—a cultural expression of nationalism which did not pose a threat to the Union. This topic is relevant for our society because it allows us to better understand the cultural expressions of nationhood at a time of resurgence of nationalisms on a global scale.

Data: CORDIS, © European Union

Project objective

BURN-BEYOND is a study of the Scottish architect William Burn (1789-1870), the progenitor of ‘Scots Baronial’ architecture, one of the earliest and most distinctive examples of a self-consciously ‘national’ revivalist style. Burn’s career spanned the period when the world was being transformed by British imperial and economic power and by the aftermath of the French Revolution, when architecture became an enduring vehicle for defining national, political and social identities. His achievement was to formulate a pro-Scottish architectural identity that was simultaneously accepted as pro-establishment and British. His work is of special contemporary relevance given the recent resurgence of nationalist politics in the face of contemporary trends towards economic and cultural globalisation. This study will articulate debates over architectural style and national identity in Britain and beyond, and show that, through Burn’s work, the Scots foreshadowed the later 19th-century quest to establish political or cultural difference through national or pseudo-national architectural revivalism. Using innovative approaches to stylistic, spatial and historical analysis, this project will explore the construction of national, imperial, political and gender identities in Burn’s work. It will seek to: establish the motivations for and implications of Burn’s unrivalled stylistic diversity; demonstrate how Burn contributed to the formulation of a Scottish architectural identity; and understand how his famously ingenious domestic planning shaped gender, familial and social relationships. It will therefore generate new insights into the interactions between stylistic choice and social, cultural and political identities in Europe in the Romantic era, and enrich studies of politics, literature, gender relations, the visual arts and nationalism. It will be of particular value to historians studying the emergence of stylistic nationalism elsewhere.

Original text from CORDIS.

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Data: CORDIS, © European Union