FP7Индивидуална стипендия2011–2013

28 June 1914 · A Day in European History and Memory

7РП — „Хора“ (Действия „Мария Кюри“)

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2011-10-03 → 2013-10-02
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264 437 €
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MC-IIF

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Накратко на български

Атента в Сараево от 1914 г. се разглежда не като криминален случай, а като място на памет. Анализът показва как това събитие е било преосмисляно и използвано в различни политически и социални контексти през годините.

Този кратък обзор е генериран от изкуствен интелект

Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.

Резултати накратко

28 June 1914: A Day in European History and Memory

Studies of the Sarajevo assassination typically focus on one issue: who was behind the conspiracy to murder the heir to the Austro-Hungarian Empire, the Archduke Franz Ferdinand; and, specifically, was the Serbian government complicit? Yet as the historian Lawrence Lafore wrote: “The learned and interminable investigations of the plot…have high interest, but it is the interest of a tragic drama or a detective story. The real facts did not at the time matter much…” That’s because the leaders of Austria-Hungary decided upon war against Serbia within days of the assassination, despite the lack of evidence of the regime’s direct involvement. And since that hoped-for localized war became the First World War—“the great seminal catastrophe of [the twentieth] century”2 —Sarajevo came to epitomize what the historian Pierre Nora calls a “founding” or “spectacular” event, one “on which posterity retrospectively confers the greatness of origins, the solemnity of inaugural ruptures.” Accordingly, the political murder itself, just as the physical space in which it transpired, constitutes a “lieu de mémoire,” a site of memory on which to explore how this tragic past has been re-read, re-used and, even, re-imagined through different time periods and in diverse political, cultural, and social contexts. This is the original aspect of my work—to illuminate and interrogate the manifold ways the assassination has been conjured and construed since it first entered human consciousness as an event of world historical significance. The project culminates in a broad-based book entitled 28 June 1914: A Day in History and Memory. I completed several chapters of this work during the Marie Curie fellowship, and will publish them for the 2014 centenary (thus I cannot yet specify all these articles under Template A—List of Scientific Publications). They are: “Yugoslav Eulogies” (examines the assassination’s memory in the two Yugoslavias and former Yugoslavia, 1918 to today); “Forgetting Franz Ferdinand” (memory of the Archduke in Austria, 1914 to the present); and “Mental Lapses: The Sandwich that Sabotaged Civilization” (critically examines the inaccuracies, mythologies, and clichés used to evoke Sarajevo, and was the basis for my podcast for Oxford University’s series “New Perspectives on the First World War”). Other chapters explore themes including the varying ways the assassination has been narrated (“History Unleashed”); the historiography of the culpability question (“Writing History: Whodunit, and Why?”); the assassination in film, art, and literature, including literary and scholarly counterfactual accounts (“Manifest Memory: Re-composing the Past”); and the politicization of Sarajevo via, for instance, analogies to contemporary terrorism (“Past Experience”).

Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз

Цел на проекта

The assassination of Archduke Franz Ferdinand on 28 June 1914, in Sarajevo is universally recognized as the immediate cause of the diplomatic crisis that led directly to the First World War, thus marking the onset of the twentieth century and the decline of European international hegemony. It was also highly predictable, utterly random, and entirely disproportionate to its global cataclysmic consequences. My research project thus treats the Sarajevo assassination as what the historian Pierre Nora calls a “lieu de mémoire,” a site of memory on which to explore how this contradictory past has been re-used, re-interpreted and, even, re-invented through different time frames and in diverse social, cultural, and political contexts. By examining monuments, museums, memoirs, anniversaries, art, textbooks, literature, folklore, film, media, and scholarly writing itself, my work aims to produce a compelling and innovative monograph that explores the manifold ways in which Princip’s act has been conjured and construed since it first entered human consciousness as an event of world historical significance. In particular, the study seeks understanding of how this troubling past has been absorbed and assimilated in different specifically European contexts and, thereby, of “28 June 1914’s” inherent capacity to link the diverse nations and regions of Europe into a “gesamteuropäische Erinnerungskultur,” or European-wide memory culture—a concept which has attracted a great deal of attention from academics and the EU of late, as scholars and others seek to probe the roots and possibilities of pan-European awareness and identity.

Оригинален текст от CORDIS (на английски).

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Данни: CORDIS, © Европейски съюз