H2020Индивидуална стипендия2015–2018

MOPIGRASFIT · Motion Picture Grammatical Rating System for Infants and Toddlers

„Хоризонт 2020“ — Действия „Мария Склодовска-Кюри“

Период
2015-07-01 → 2018-08-09
Финансиране от ЕС
187 311 €
Участници
1
Схема
MSCA-IF-EF-ST

Линиите свързват координатора с партньорите.

Накратко на български

Възприятието на движещи се изображения при бебета се анализира чрез тестове с филмови кадри и смени на плановете. Това помага да се разбере как когнитивното развитие и кинотехниките влияят върху разбирането на филмите от най-малката възраст.

Този кратък обзор е генериран от изкуствен интелект

Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.

Резултати накратко

Motion Picture Grammatical Rating System for Infants and Toddlers

Existing motion picture rating systems in the EU only target viewers above age three although children become regular viewers at younger ages. Existing rating systems also classify motion pictures in terms of only their content although films differ substantially from conditions of natural perception and understanding films requires a film literacy. The overall objective of the proposed research was to assess systematically the role of: (a) natural perception, (b) cinematic techniques, (c) viewing experience and (d) cognitive development on the understanding of moving images. To this aim, three studies were conducted within the project. The first study was designed to see if babies can perceive the continuity of an action through the film cuts. It was already known that 12-month-old babies can predict other’s simple actions by performing goal-directed, anticipatory eye movements. However the studies testing this ability were using single run videos unlike the ones on TV. For this study, we recorded the actions from different camera angles and edited them together according to match-on-action editing technique, which is used by filmmakers to make edits unnoticeable. The results were surprising: 12 and 18-month-old babies were even better at action prediction when the actions were presented in multiple film shots. The second study was also designed on the basis of two concepts, one of which is from the developmental psychology (i.e. gaze following), and the other from the film studies (i.e. eye-line match). The eye-line match between two juxtaposed shots is based on the premise that an audience will want to see what the character on-screen is looking at. A film sequence with an eye-line match begins with a character looking at something off-screen, followed by a cut of another object or person. From a developmental perspective, it is well established that young infants turn in the direction that an adult has turned. The question was whether babies can still follow other’s gaze when the gazed object is presented in another film shot. The looking score (total of the correct looks, incorrect looks, and non-look) was significantly different between editing types (single vs multiple) and (babies vs adults). Babies at 12 and 18 month of age could successfully follow gaze in the unedited version but were less successful across edits. The third study was again designed on the basis of well-established concepts in developmental psychology (occlusion perception) and film studies (directional continuity). The studies on the developmental origins of occlusion perception show that by at least 6 months of age, infants are able to make anticipatory eye movements by fixating the leading edge of the occluder before an object reappears. It was not known however if babies can anticipate the right side of the screen when a horizontal movement is presented in two film shots. The results show that babies do not perceive the film cuts as occluders and can perceive the scene as a whole although it is presented from different camera angles because of the ongoing movement through the cut.

Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз

Цел на проекта

The use of infant-directed media has increased substantially, from 17% in the 1990s to now over 50% in the first year of life although this use is highly controversial. Current motion picture rating systems in Europe only target viewers above 3 years, and only in terms of content. Infant-directed videos include a wide range of cinematic techniques which require film literacy to understand. It is therefore crucial to investigate comprehensively the role of such techniques on infant attention so as to ascertain the impact videos may have on the developing brain. The overall objective of the proposed research is to assess systematically the role of: (a) cinematic techniques, (b) viewing experience and (c) cognitive development on the comprehension of moving images and, on the basis of the findings, (d) to suggest an ""age-appropriateness"" rating scheme for infants and toddlers (e.g. 12m+, 24m+) for audiovisual material. Six-, 12-, 18-, 24- and 36-month-old young children will be categorized into two groups according to the extent of their viewing experience and tested in a cross-sectional study, the findings of which will have important implications for children’s mental development by identifying the age-appropriate cinematic techniques for comprehension of moving images, which may be suitable educational media for infants. This proposal falls squarely within the topics emphasized in the EU 7th Framework socio-economic sciences and humanities themes; it is multidisciplinary, combining film studies, vision sciences, cognitive psychology, developmental psychology, and developmental neuroscience, and will yield significant contributions to the film, TV and educational technology fields within the European Research Area.""

Оригинален текст от CORDIS (на английски).

Участници

Връзки

Данни: CORDIS, © Европейски съюз