H2020Индивидуална стипендия2016–2018

COEED · The Court of Elizabeth I – A European Drama

„Хоризонт 2020“ — Действия „Мария Склодовска-Кюри“

Период: 2016-10-03 → 2018-10-02
Финансиране от ЕС: 185 076 €
Участници: 1
Схема: MSCA-IF

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Накратко на български

Политическата култура на Англия при Елизабета I се анализира чрез романи, драми и писма на английски, френски, италиански, испански, нидерландски и латински език. Това помага да се разбере как политическият живот и литературата са били свързани с международни влияния, а не само с национални традиции.

Този кратък обзор е генериран от изкуствен интелект

Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.

Резултати накратко

The Court of Elizabeth I – A European Drama

Problem/issue addressed The Court of Elizabeth I – A European Drama (COEED) is a multi-lingual, multi-disciplinary and distinctively European research project into a political culture which is studied in universities and schools around the globe. The enduring fascination with the political culture of Elizabethan England has often served to divert attention away from the fact that across early modern Europe responses to the final Tudor monarch were being formulated in early novels, dramas, essays, correspondence and travel narratives. This project brings together a study of English, French, Italian, Spanish, Dutch and Latin in order to offer a hitherto unprecedented enquiry into European representations of a nation under the final Tudor monarch. Importance for society At a critical time when European society is exercised by questions of national interest, the possible parameters of its community and suspicion of external cultural influence, COEED is invested in challenging the premisses often underpinning such thorny debates. This project highlights the international sphere of reference in which all political life must be seen to operate. Drawing upon a wealth of research from often neglected sources, this ambitious project by interrogates the very viability of considering political life and textual production in terms of national literary traditions. Overall objectives The overall objectives of this research project have been many and various but they all focus upon the internationalisation of our understanding of late Tudor culture – and an internationalisation which is not simply linked to binary comparative studies across two political states. Thus, COEED has focused upon consulting a range of European archives in the desire to formulate a more global understanding of a given political culture and to disseminating this research to scholarly and non-scholarly audiences. If COEED centrally concentrates upon unearthing a multi-lingual corpus of early modern materials with which to understand Elizabethan political and literary culture from an international perspective, it also extends this focus by considering nineteenth-century pan-European appreciations of Shakespeare and international initiatives in adapting Shakespeare for the dance stage in the modern period.

Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз

Цел на проекта

The enduring fascination in anglophone research with the political culture of Elizabethan England has often served to occlude the fact that responses to the Tudor monarch were formulated across renaissance Europe. A pan-European range of dramatic texts bears witness to the anxiety and consuming interest which surrounded Elizabeth I. Such texts have often been neglected or referenced briefly as points of illustration. Moreover, these texts (where afforded any consideration) have most commonly been seen in terms of national traditions of literary production, rather than integrated into a Europe-wide vision of cultural debate and exchange. None of these texts has been considered in recent centuries for their theatrical potential or placed in close conversation with Elizabethan (or post-Elizabethan) literary production. This ambitious comparative project for the early modern period will be achieved through: close & comparative reading of primary texts; evaluative analysis of existing scholarship; consultation of host’s (Institute for Research on the Renaissance, the Neo-classical Age and the Enlightenment - Montpellier 3) and European archives; consultations with supervisor and advisory colleagues across Europe; engagement in performance-related events; e-networking with academic and non-academic audiences. In the course of this European project, Hiscock will: engage in a wholly transformative training in performance-based research and e-dissemination; produce cutting-edge research which embeds multilingual studies at the heart of early modern studies; disseminate research findings to a host of academic and non-academic audiences. This project engages tightly with the Marie Skłodowska-Curie Programme by: providing professional training in key skills for the applicant, thus enabling him to access significant career progression; investing in wholly innovative interdisciplinary research; enabling international and inter-sector mobility for the applicant.

Оригинален текст от CORDIS (на английски).

Участници

UNIVERSITE PAUL-VALERY MONTPELLIER3 · Montpellier Cedex 5КоординаторФранция