H2020Индивидуална стипендия2017–2019

DaphNet · Dynamic Preservation of Interactive Art: The next frontier of Multimedia Cultural Heritage

„Хоризонт 2020“ — Действия „Мария Склодовска-Кюри“

Период
2017-02-01 → 2019-01-31
Финансиране от ЕС
160 800 €
Участници
1
Схема
MSCA-IF

Линиите свързват координатора с партньорите.

Накратко на български

Интерактивното изкуство, при което зрителят влияе върху инсталацията чрез движения на тялото, се анализира за създаване на модел за неговото съхранение. Това е важно, защото много произведения от 90-те години се губят поради липсата на методи за архивиране на технологиите им.

Този кратък обзор е генериран от изкуствен интелект

Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.

Резултати накратко

Dynamic Preservation of Interactive Art: The next frontier of Multimedia Cultural Heritage

This project addresses the theoretical and methodological questions of embodied interaction with multimedia installation art through body movement and the use of mediation technology. The goal of the action is to contribute to the definition of an effective model for the preservation of interactive art, ensuring future re-use and flexible access. In particular, the action focuses on the interactive aspect of interactive installations. The taxonomy of interaction thus defined is translated into a metadata set for the description of interaction in artistic contexts, that would enable the exploitation of a wealth of data that is currently not captured or searchable, and that therefore doesn’t contribute to the building of new knowledge. Most interactive artwork produced since the 1990s is lost due to the lack of adequate preservation methodologies: as a result the European cultural asset is impoverished and its potential for economic growth is drastically diminished. The intrinsic interconnection of interactive artworks with computer-based technology requires a multidisciplinary approach to preservation, involving high-profile cultural and scientific competences. With this project I have integrated my years of experience in the field of audio preservation with strategic competences that come from user-oriented studies in embodied cognition research, in order to bridge the gap between the world of the arts and the cutting-edge technology for digital preservation. This project contributes to the Work Programme H2020 by (1) canalizing advanced competences on the safeguard and the promotion of European cultural heritage, and by (2) bridging the gap between cutting-edge scientific-technological knowledge and the world of the arts, facilitating interdisciplinary innovation and strengthening the competitiveness of the European cultural and creative sectors (Official Journal of the European Union, L 347/225, Artt. 3a and 5.1).

Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз

Цел на проекта

This project addresses the theoretical and methodological questions of embodied interaction with multimedia installation artthrough body movement and the use of mediation technology. The ultimate goal is the definition of an effective model for thepreservation of interactive artworks, ensuring future re-use and flexible access. Most interactive artwork produced since the1990s is lost due to the lack of adequate preservation methodologies: as a result the European cultural asset isimpoverished and its potential for economic growth is drastically diminished.The intrinsic interconnection of interactive artworks with computer-based technology requires a multidisciplinary approach topreservation, involving high-profile cultural and scientific competences. With this project I intend to integrate my years ofexperience in the field of audio preservation with strategic competences that come from user-oriented studies in embodiedcognition research, in order to bridge the gap between the world of the arts and the cutting-edge technology for digitalpreservation.This project contributes to the Work Programme H2020 by (1) canalizing advanced competences on the safeguard and thepromotion of European cultural heritage, and by (2) bridging the gap between cutting-edge scientific-technologicalknowledge and the world of the arts, facilitating interdisciplinary innovation and strengthening the competitiveness of theEuropean cultural and creative sectors (Official Journal of the European Union, L 347/225, Artt. 3a and 5.1).

Оригинален текст от CORDIS (на английски).

Участници

Връзки

Данни: CORDIS, © Европейски съюз