H2020Индивидуална стипендия2017–2020

Mobilising Archives · photography in Southwest Angola

„Хоризонт 2020“ — Действия „Мария Склодовска-Кюри“

Период
2017-03-01 → 2020-02-28
Финансиране от ЕС
148 636 €
Участници
1
Схема
MSCA-IF-EF-ST

Линиите свързват координатора с партньорите.

Накратко на български

Етнографските снимки от Югозападна Ангола през XX век разкриват как различни автори са документирали местните култури. Анализът им помага да се разбере промяната в начина на заснемане и архивиране на информацията при смяна на историческите режими.

Този кратък обзор е генериран от изкуствен интелект

Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.

Резултати накратко

Mobilising Archives: photography in Southwest Angola

“Mobilising Archives” investigated past and present uses of ethnographic photography taken in Angola throughout the 20th century. Articulating photography, history and anthropology, the project adopted a triangular methodology that combined archival research on historical collections, visual culture studies, and collaborative fieldwork with contemporary villagers. Examining physical and digital archives related to three distinct photographic collections on Southern Angolan local cultures, the project explored a selection of field photographs produced by three ethnographers over different historical periods: the missionary Carlos Estermann (1930s-1970s), the museum officer António Carreira (1960s) and the university professor Ruy Duarte de Carvalho (1990s). The selected photographs and their analysis fulfilled two main goals: 1) to develop a historical understanding of the evolving use of photography for ethnographic purposes, analyzing the field practices of each case-study and the subsequent usages of these images, namely through archiving and publishing; and 2) to conduct photo-elicitation with rural dwellers in the region, as a way to discuss Africanist photography from a contemporary perspective, and to produce informed ethnographic displays. Together, the selected case studies highlighted the specificities of the evolving use of photography with an ethnographic purpose, amidst changing historical contexts – from Portuguese late colonialism, to Angola’s liberation war (1961-1974), and finally to its subsequent civil war (1975-2002). The German-born missionary who lived in Angola for over 50 years valued captioned photography for its ethnographic dimension; the Portuguese public officer born in Cape Verde made photographs in five 2-month missions, as a provider of an institutional ethnographic archive; and the Portuguese-born Angolan anthropologist conducting fieldwork during civil war innovated in his ethnographic use of published images. Collaboration with contemporary villagers added a much-needed local understanding of images that depict the regional rural universe, with an emphasis on insights onto the dwellers’ daily life. Overall, “Mobilising Archives” contributed to debates on photography’s use in the history of anthropology and in contemporary ethnography. As its major output, the project developed a bilingual website (in Portuguese and in English) in the vein of digital ethnography, making accessible the preliminary findings for both specialized and general audiences, through multimodal digital content (film, text, exhibitions, graphic and interactive devices).

Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз

Цел на проекта

Africanist archival photography has posed significant questions from a postcolonial perspective. This project aims to further investigate its current visual economy by studying different practices of ethnographic field photography in Lusophone countries. It explores three collections produced over different historical times by using an innovative methodology that combines postcolonial archival research, visual culture studies, ethnographic fieldwork and a collaborative photography project with contemporary villagers. It scrutinises the historicity of the ethnographic concept of the visual by looking at the archives resulting from three distinct photographic engagements with Southwest Angolan cultures, during the colonial period and after: the ethnographic photographs taken by a missionary (1930s-1970s), a museum officer (1960s) and an ethnographer (1990s). The research aims to understand the historical trajectory and contemporary uses of these collections to explore how different production and reception contexts impact on their social meanings over time – and to present its findings in a virtual exhibition. By mobilising these collections from the archive to the field and back again, the research will test through photo-elicitation and new photographic practice, the resonances of two topics among scientists and indigenous people. a) It will analyse the persisting yet changing approaches to gender carried out by the selected photographers with the perceptions of contemporary rural indigenous people. b) It will explore the resilience of rural domestic economies to the precarious ecological conditions of semi-arid highlands today, a topic which former photographers only marginally approached in their own collections. Therefore, this project will contribute to global climate issues as well as to gender studies, while overall adding value to visual anthropology studies about evolving practices of photography and to debates on archival, science and exhibition practices.

Оригинален текст от CORDIS (на английски).

Участници

Връзки

Данни: CORDIS, © Европейски съюз