H2020Индивидуална стипендия2018–2020

STESICHOROS · THE ARCHAEOLOGY OF SOUND OF THE CULTIC THEATRE IN A GREEK CITY IN SICILY

„Хоризонт 2020“ — Действия „Мария Склодовска-Кюри“

Период: 2018-05-01 → 2020-04-30
Финансиране от ЕС: 180 277 €
Участници: 1
Схема: MSCA-IF-EF-RI

Линиите свързват координатора с партньорите.

Накратко на български

Акустиката на античните театри, като този в Селинунте в Италия, се анализира чрез 3D модели и измервания на звука. Това помага да се разбере как хората в миналото са възприемали пространството и как да се съхрани звуковото наследство днес.

Този кратък обзор е генериран от изкуствен интелект

Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.

Резултати накратко

THE ARCHAEOLOGY OF SOUND OF THE CULTIC THEATRE IN A GREEK CITY IN SICILY

The STESICHOROS project developed a new multidisciplinary analytical approach that models the relationship between the intangible aspects and the spatial configuration of performative spaces of the past in order to assess the risk of sonic heritage of a particular case study in Italy and to contribute to the monitoring of present-day sound and noise for the future management and preservation of historical cultural heritage. Despite significant past and current work on archaeoacoustics topic, no project up until now has approached these issues with a systematic and interdisciplinary effort. For the first time, all the results have been integrated into an innovative research method from which experimental interpretative 3D reconstructions integrating acoustic models can be created. As such, this research presents a novel model for future integrative scientific studies in the fields of digital heritage and of sound environment in sustainable spaces, and provides a new approach to reconstruct sound phenomena and auditory experience, stimulating the understanding of the role that sound plays in all aspects of society. The project had the following interrelated primary objectives: - To decipher the creation process of performative spaces in ancient cultures and to explore the acoustic reasoning and function through a key case study: sound and performative space environments of the theatral step at Selinunte has been analysed and assessed. - To explore the reasons that led ancient cultures to create these spaces, as well as investigate how they experienced them by analysing both the physical acoustics and the way these acoustics shape what people perceive. - To model the relationship between intangible acoustic aspects (soundscapes) and the spatial configuration of ancient theatres and related performative spaces in order to assess the risk of sonic heritage and to create an experimental interpretative 3D reconstruction integrating acoustic models for future management and preservation of their sonic heritage.

Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз

Цел на проекта

Through this project I aim to assess and recover the lost intangible heritage of cultic theatre acoustics through the acoustic reconstruction of spaces of the past. The acoustics of linear and non-circular theatra in the Greek world have never before been analysed in terms of how and why these spaces were chosen for performance. The project will establish a new line of research at the crossroads of archaeomusicology, architecture, acoustics, and digital technologies to complete a study on these buildings, and will include a specific case study in Sicily. The acoustic reconstruction will also include audio material based on auralisations of ancient instruments. Through this project I will be able to expand my skills in the use of post-processing software and acoustic techniques based on computerised models. This application for the RI fellowship stresses my aspiration to develop new skills in digital heritage. The skills will be extremely useful for my return and reintegration into a longer-term research position in Italy, a nation that is well established in the fields of cultural and digital heritage studies. Securing the RI fellowship will be an important step in my career as an expert researcher with an original profile that blends archaeomusicology and digital heritage.I will be hosted at the Institute for Archaeological and Monumental Heritage of the National Research Council, a centre of excellence for the innovative development of relations between science and technology and different sectors of cultural heritage: the project will provide an opportunity for me to collaborate closely with experts in 3D reconstruction and modelling, augmented reality and applied acoustics. The host will benefit from the intensive collaborations I have built in the USA, and from my research and work in archaeomusicology, as well as in Greek art and archaeology. The project is organised into six work packages that will take place during the two-year duration of the project.

Оригинален текст от CORDIS (на английски).

Участници

CONSIGLIO NAZIONALE DELLE RICERCHE · RomaКоординаторИталия