TRANSLATIO · 'Translatio.’ The art of (re)moving relics and reforming holiness in Europe’s borderlands.
„Хоризонт 2020“ — Действия „Мария Склодовска-Кюри“
- Период
- 2020-09-01 → 2023-12-07
- Финансиране от ЕС
- 207 312 €
- Участници
- 1
- Схема
- MSCA-IF
Линиите свързват координатора с партньорите.
Накратко на български
Ритуалното преместване на свещени реликви в Европа между 1550 и 1800 г. се анализира чрез изкуството и архитектурата в Италия и Северна Европа. Това помага да се разбере как тези обреди са влияли върху религиозната идентичност и съжителството между различните общности.
Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.
Резултати накратко
'Translatio.’ The art of (re)moving relics and reforming holiness in Europe’s borderlands.
The action, "'Translatio.’ The art of (re)moving relics and reforming holiness in Europe’s borderlands," (TRANSLATIO) investigated the ritualized relic in the history of early modern Europe c. 1550-1800 through the art, architecture, and material culture attending 'translatio,' the ceremonial transfer or removal of relics, between historical territories on the Italian peninsula and the Nordic-Baltic region. The objectives centered on training in object- and materials-centric research as well as transregional methodologies, developing a corpus of primary sources to expand the fellow’s research, and building the fellow’s professional research network in the Nordic-Baltic region. TRANSLATIO used relics, objects, artworks, and architecture to trace the central role of diverse forms of ritual not merely as a focus to highlight cultural changes, but as a prime generator of changes driving interreligious identity formation and coexistence between European communities, with an emphasis on cross-cultural exchanges interconnecting far-flung areas of Europe.
Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз
Цел на проекта
Between 1600 and 1800 more than 35,000 cases are documented of the exchange of skeletons and other sacred relics of saints between Catholic communities along the Italian peninsula and Lutheran and Catholic groups in Catholicism’s northernmost Nordic-Baltic borderlands, according to the religious ritual of ‘translatio’ (‘translation’)—the ceremonial relocation of relics of saints and holy persons. The art, architecture and material memory culture of translatio has continued to shape European borderlands identities into the present. This project aims to rewrite the ritualized relic into the history of modern Europe, reassessing the underestimated yet crucial role of relics and the artistic-material culture of religious ritual as generators of interreligious reconciliation and identity formation across Europe’s seemingly most insurmountable divides from the early modern period (c. 1500-1700) through the present day. Although recent shifts in scholarship have moved away from disciplinary boundaries to reframe more inclusive European histories, oppositional theoretical models dominate historical analysis, resulting in isolationist or antagonist historical narratives that fail to account for the interconnectedness of European historical experience. My project TRANSLATIO aims to: 1) rewrite a trans-European revisionist history of the art, architecture and material culture of the ritualized relic over the longue durée that sets diverse religious cultures in conversation rather than opposition and plots the Nordic-Baltic sphere against a broader European transregional context and 2) develop an adaptable multi- or poly-comparative model for non-oppositional translational historical analysis that will pave the way to open new perspectives for how scientific studies might reframe complex much-needed interconnected histories of Europe. As a showcase of my poly-comparative translational methodology, I will write a research monograph and create an open-access website.
Оригинален текст от CORDIS (на английски).
Участници
- NATIONALMUSEET · KobenhavnКоординаторДания
Връзки
Данни: CORDIS, © Европейски съюз