NePraMusT · Networks of Practice in New Music Theatre
„Хоризонт 2020“ — Действия „Мария Склодовска-Кюри“
- Период
- 2022-09-01 → 2025-03-01
- Финансиране от ЕС
- 224 934 €
- Участници
- 1
- Схема
- MSCA-IF
Линиите свързват координатора с партньорите.
Накратко на български
Новият музикален театър от 60-те и 80-те години се анализира чрез практически опити с гласови техники и подготовка на актьорите. Това помага за създаването на по-добри учебни програми за оперни певци и музикални актьори.
Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.
Резултати накратко
Networks of Practice in New Music Theatre
NePraMusT paved the way to the investigation of those art forms that converged in the making of European New Music Theatre in the 1960s and 1980s. By throwing light on the creative crosscurrents that forged new forms of performance at this time, NePraMusT has investigated the aesthetics and interdisciplinary approaches that have heavily shaped present-day creative practices. Through a pragmatic encounter with the practices that conveyed in the making of experimental theatre and music-theatre, the research has evaluated their currency and actualised their role in current practices. In particular, the practice-based exploration of trainings adopted by practitioners belonging to these lineages of practice were probed field-tested through interdisciplinary laboratory work, probing the various articulations of voicework and actor-training. Overall, the research led has evidently raised numerous questions about training and performance across disciplines, and proven the worth of practices otherwise neglected in art forms that were liminal to yet not immediately addressed by these practices. The practice-based work undertaken through interdisciplinary laboratory has designed an experimental test-field based on an ongoing dialogue with a network of artists and scholars. Ultimately, the research might disclose new horizons in the creation of new training curricula for musical actors and opera singers, to be more desirably fostered through institutional approval by broader musical studies.
Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз
Цел на проекта
From the 1960s to the 1980s, numerous younger European composers were drawn to theatrical projects that overturned the established conventions of the opera house. These projects were typically small in scale and experimented with new relationships between instrumental performance and staged action. This ‘New Music Theatre’ is today regarded as an important manifestation of the experimental spirit of the time, and remains widely influential upon present-day creative production. However, histories of the genre have been misleading in focusing almost exclusively upon the figure of the composer. Documentary evidence shows clearly that new music theatre typically emerged from collaborations between composers, writers, directors, and performers, who dynamically mediated practices and theories from different disciplines and backgrounds. For instance, singer Roy Hart inspired works by Stockhausen and Henze, Eugenio Barba’s and Berio’s contemporaneous views about voice were liminal, while Peter Brook’s dramaturgy was supported by the work of lesser known composers and practitioners. NePraMusT aims to retrace some of those interactions, voicing the role of numerous creative agents currently underrepresented in official accounts. Through gathering extensive documentary evidence from European archives and undertaking practice-led investigation of historical actor training and voice work, the action will establish how music and theatre converged in these projects, throwing light on the creative and aesthetic crosscurrents that have heavily shaped present-day creative practices. NePraMusT will contribute to enhance the ER’s skills and future employability prospects, opening new training opportunities both as an academic and an artist-researcher, furthering her ability to plan, organise, develop her dissemination and public outreach competencies, and reinforcing her professional networks of practitioners and researchers versed in theatre and music theatre studies.
Оригинален текст от CORDIS (на английски).
Участници
- UNIVERSITY OF HUDDERSFIELD · HUDDERSFIELDКоординаторОбединеното кралство
Връзки
Данни: CORDIS, © Европейски съюз