HEИндивидуална стипендия2022–2025

DIGIMYTH · Digital Mythology and Arabic Literature: A Digital Archive to Study the Dynamics of the Reception of Greek Myths in Modern Arabic Literature

„Хоризонт Европа“ — Действия „Мария Склодовска-Кюри“

Период
2022-12-01 → 2025-11-30
Финансиране от ЕС
282 046 €
Участници
3
Схема
HORIZON-TMA-MSCA-PF-GF

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Накратко на български

Гръцките митове и класическа литература се проучват в арабските текстове между 1850 и 1950 г., включително в поезия, драми и учебници. Това помага да се разбере как Европа и арабският свят са си взаимодействали културно през този период.

Този кратък обзор е генериран от изкуствен интелект

Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.

Резултати накратко

Digital Mythology and Arabic Literature: A Digital Archive to Study the Dynamics of the Reception of Greek Myths in Modern Arabic Literature

The reception of the Greek classics and mythology in modern Arabic literature is part of the process of cultural interaction between Europe and the Arab world that fueled the 19th-20th-century cultural renaissance, known as the nahḍah. The modern Arab interest in ancient Greek literature, influenced by the European “Hellenomania” of those years, was driven by the belief that Greek classics were essential for joining world literature. At the same time, the very assimilation of the category of “classics” led to the revivification of the Arab heritage, which included the translation and the re-elaboration of Greek knowledge chiefly during the Abbasid rule. Unlike the medieval focus on Greek philosophy and science, Arab modernity engaged more directly with Greek literature and mythology. Although much has been written about the transmission of Greek knowledge to Arab sciences and philosophy during the first centuries of Arab-Islamic history, less attention has been paid to the reception of Greek literature and mythology in modernity, especially before the 1950s. With a few exceptions, most existing studies focus on later phases of reception, when Greek myths were already integrated into Arabic literary traditions. They therefore do not explain how, when, why, and which Greek myths made their way into Arabic literature, which one of the many meanings of the myth is conveyed by each text, and which is the impact of the extra-textual world on the re-configurations of the myths in each rewriting. DIGIMYTH aims to fill this gap by examining the period from 1850 to 1950, expanding the focus beyond poetry to include lectures, translations, essays, encyclopedias, journal articles, drama, and school and university curricula. The project’s main objective is to create an open-access digital archive of Arabic texts referencing Greek myths, through which it analyzes the dynamics of their reception in Arabic literature. Additionally, DIGIMYTH seeks to foster academic discussions on the reception of Greek myths in non-European literatures and to stimulate a reflection in civil society about the concept of Greek mythology as a shared cultural heritage along the shores of the Mediterranean.

Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз

Цел на проекта

DIGIMYTH is an interdisciplinary project that adopts the tools of digital humanities (DH) in Arabic literary studies. It plans to create an open access digital archive through which it investigates the dynamics of the reception of Greek myths in Arabic literature produced in Egypt and in the Mashreq in the period 1850-1950. Thanks to its intersectional approach that involves DH, literary studies, historical and religious studies, the project aims at having an impact both on Arabic literary studies and on other fields of research.The general objectives of DIGIMYTH are to investigate how and when Greek myths were introduced into modern Arabic literature and to evaluate their impact on its development. The project envisages two primary specific objectives that address two main questions:1) What are the modern Arabic literary texts containing references to Greek myths? The project plans to digitize relevant texts of Arabic literature that contain such references, and create an open access digital archive. This entails the application of IT tools to Arabic literary studies, which has made little use of digital research so far. 2) What are the dynamics of the reception of Greek myths in modern Arabic literature? While there are studies on the use of myth in Arabic poetry after 1948, they fail to determine the specific function of Greek myths, and to explain how these myths were integrated into the Arabic literary system before 1948. Resting on the data collected in the archive and on an interdisciplinary methodology that involves literary, historical and religious studies, DIGIMYTH aspires to answer the following questions: when and which Greek myths were introduced in Arabic literature? Is there any relation between the place and the reception of a myth, and between the latter and politics and ideology? How did the meaning of the myth change over time and space?

Оригинален текст от CORDIS (на английски).

Участници

  • UNIVERSITA DEGLI STUDI DI ROMA LA SAPIENZA · RomaКоординаторИталия
  • American University of Beirut · BeirutЛиван
  • UNIVERSITA CA' FOSCARI VENEZIA · VeneziaИталия

Връзки

Данни: CORDIS, © Европейски съюз