HEИндивидуална стипендия2023–2026

SHAPE · Sharing the Pronoun. Extreme violence, social resistance and the shaping of cultural memory in Spanish American contemporary documentary poetry

„Хоризонт Европа“ — Действия „Мария Склодовска-Кюри“

Период
2023-02-01 → 2026-01-31
Финансиране от ЕС
284 877 €
Участници
2
Схема
HORIZON-TMA-MSCA-PF-GF

Линиите свързват координатора с партньорите.

Накратко на български

Документалната поезия в Латинска Америка използва архиви и исторически записи, за да опише насилието срещу маргинализирани групи. Тя помага за съхранението на колективната памет и разбирането на социалния отпор срещу потисничеството.

Този кратък обзор е генериран от изкуствен интелект

Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.

Резултати накратко

Sharing the Pronoun. Extreme violence, social resistance and the shaping of cultural memory in Spanish American contemporary documentary poetry

SHAPE proposes a groundbreaking cultural approach to the study of 21st-century Spanish American documentary poetry, examining its role as a form of social and community resistance in shaping a collective memory of extreme violence in Latin America. This unique poetic genre integrates a wide range of external sources—ethnographic records, historical archives, chronicles, visual and audiovisual materials, and virtual documents—none of which have been created by the poet. The incorporation of these external texts into poetry, a traditionally intimate and non-mimetic form, generates a stylistic short circuit that has manifested in diverse ways across Latin America. In this context, documentary poetry has emerged as a powerful means of articulating the tragic consequences of systemic, institutional, and non-institutional violence against marginalized communities, including women, migrants, Indigenous peoples, and LGBTQ+ individuals. Despite its crucial social function and increasing prominence in Latin American literature, no comprehensive study has yet examined this genre in depth. SHAPE aims to fill this critical gap by developing a model of interpretation that situates documentary poetry not only as an aesthetic expression but also as a fundamental tool for preserving and constructing social memory around suffering and resistance. To achieve this, SHAPE adopts an interdisciplinary methodological framework that bridges literature, cultural studies, cultural history, and ethnography. This approach will allow for an in-depth investigation of how documentary poetry contributes to acts of resistance against extreme violence while fostering new cross-cultural reflections on institutional and social oppression in Latin America. Additionally, SHAPE seeks to explore literature’s potential as a means of countering racial and social discrimination. The project is being developed in collaboration with Ca’ Foscari University of Venice and the University of North Carolina at Chapel Hill, strengthening its international and cross-disciplinary scope. SHAPE is the first comprehensive study to examine Spanish American documentary poetry about extreme violence from a cultural perspective. Its overarching goal is to assess the capacity of this poetry to construct and sustain social memory while functioning as an act of political and social resistance. To achieve this, the project investigates the following key objectives: a) The Ontological Status of Documentary Poetry as a form of Engaged Art SHAPE explores documentary poetry’s dual role as an artistic form and a political instrument, examining its ability to engage with pressing social realities. The project critically analyzes the relationship between documentary and poetry, focusing on how the inclusion of factual elements shapes the artistic dimension of the genre. Central to this inquiry is an exploration of intertextual appropriation and de-appropriation—how documentary poetry navigates the ethical complexities of speaking for and with marginalized voices. b) The Role of Documentary Poetry in Constructing Social Memory and Identity SHAPE investigates how documentary poetry has developed in Spanish America as a means of building a shared cultural memory of violence and shaping the identities of vulnerable communities. From a Cultural History perspective, the project examines the intersections of violence, the body, language, and representation, identifying how documentary poetry not only gives voice to the silenced but also reinforces the urgency of collective remembrance. Beyond academic discourse, this poetry has influenced social activism, inspiring public initiatives such as writing workshops that engage communities in shared acts of social storytelling. SHAPE will incorporate an ethnographic perspective to analyze these participatory literary practices and their role in fostering solidarity and historical consciousness. c) The Stylistic and Structural Characteristics of Contemporary Spanish American Documentary Works To construct a systematic model of interpretation, SHAPE examines a corpus of ten contemporary Spanish American documentary works that address forms of extreme violence. The project will analyze how poets employ key literary strategies such as intertextuality, intermediality. By integrating textual and socio-political analysis, SHAPE seeks to demonstrate how documentary poetry transcends conventional literary boundaries, emerging as an active form of political intervention. By combining literary analysis with interdisciplinary insights, SHAPE aims to establish a new theoretical framework for understanding the intersection of poetry, documentary material, and social activism in Latin America as a priviledge way to promote a broader discussions on memory, resistance, and the role of art in confronting historical trauma.

Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз

Цел на проекта

SHAPE proposes a new cultural approach to the study of 21st century Spanish American documentary poetry as a form of social and community resistance in the shaping of a shared memory about extreme violence in Latin America. This is a peculiar type of poetry using in the very body of the poem a variety of ethnographic, historical (archive texts, chronicles), visual, audio-visual, and virtual documents that have not been created by the poet. The use of those texts in an intimate and non-mimetic code such as poetry determines a stylistic short-circuit which has developed, in different forms, across all Latin America. In this context, documentary poetry has been commonly used to verbalise the tragic consequences of the systemic institutional and non-institutional forms of violence against women, migrants, indigenous or LGBTQ+ people. In spite of the key social function this poetry has assumed in Latin America in recent years, no comprehensive study has been produced on it yet. SHAPE aims to fill this gap by building a model of interpretation of documentary poetry not only as an aesthetic expression, but also as a powerful tool to preserve and construct social memory about suffering. To that aim, SHAPE intends to adopt an interdisciplinary methodological approach involving literature, cultural studies, cultural history, and ethnography, in order to investigate how this poetry contributes to the processes of resistance to extreme violence. Due to the intertextual nature of documentary poetry, my expertise in intertextuality and genre contamination is a key factor for the successful completion of the project. The aim is to generate a new cross-cultural conceptual reflection on how to use literature to resist new forms of racial and social discrimination. Thanks to this MSCA grant, I will strengthen my academic profile by acquiring the relevant competences to offer a new wider perspective on how to view the problem of social and institutional violence in Latin America.

Оригинален текст от CORDIS (на английски).

Участници

Връзки

Данни: CORDIS, © Европейски съюз