HYFIP · Hyper-textual Film Presentation. Designing Digital Editions for the European Cinematographic Heritage
6РП — Действия „Мария Кюри“
- Период
- 2006-04-19 → 2008-04-18
- Финансиране от ЕС
- 190 384 €
- Участници
- 1
- Схема
- EIF
Линиите свързват координатора с партньорите. За проекти отпреди 2014 г. CORDIS не винаги дава точни координати. Тези точки са на ниво град или държава.
Накратко на български
Методът HYPERKINO създава цифрови издания на филми, при които конкретни сцени са свързани с писмени бележки, подобно на футнотите в книгите. Това позволява на изследователите да цитират анализи и да сравняват различни версии на европейското кинематографично наследство.
Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.
Резултати накратко
Final Activity Report Summary - HYFIP (Hypertextual Film Presentation. Designing Digital Editions for the European Cinematographic Heritage)
The HYPERKINO method introduces an innovative scholarly standard for film editions with hypermedial commentaries on DVD. It is based on the idea that every shot in a film calling for annotation or explanation is linked with an off-screen commentary text section. These sections we call 'footnotes' for the film. The main difference to current DVD commentaries is the presentation of the scholarly research: It happens not in an audio but in a written format which makes the commentary quotable. Every HYPERKINO DVD edition is tantamount to an introductory article about the film published. The film and texts about the film merge on the digital carrier. The concept of indexing a text, turning it into a network of interrelations and linking it with other texts, goes back to the philological tradition of editing scholarship but can be transposed to other types of objects as well. The classical footnote already served as a prototype of linking in hypertextual environments like the internet. The HYPERKINO method is based on this intertwining of textual criticism and hypermedia technologies. It connects the traditional principles of annotation with digital technologies and their mark-up languages, applying hypermedia principles of commentary to the linear medium of film. HYPERKINO annotations of a film are comparable to the footnotes and the commentary in historical-critical editions of texts, with the only difference being that they are comprised of various media forms (text, sound, pictures). The content of the footnotes comprises an analysis of the film, information about the reception and the historical background of the film. Hyperkino also emphasises the importance of presenting several versions of the film if they exist. With such an instrument, film students and scholars receive an unprecedented aid in their research as well as teaching. The original authors of the method HYPERKINO (2005) are Natascha Drubek-Meyer and Nikolai Izvolov. HYPERKINO ensures a scholarly quality in the presentation of films and film related material buried in the archives, it facilitates preservation and presentation of films in their authentic and multiple versions, access to documentary and non-fiction film material, providing all necessary information about the film copies and a thorough historical contextualisation of the film. In the Marie Curie project, we chose the first Czech avant-garde film by Alexander Hackenschmied, Bezúcelná procházka (Aimless Walk) (1930) for the DVD prototype of this editions which was co-produced by The Film and TV School Prague (FAMU) and the Czech National Archive (NFA). The commentary consists of 11 footnotes.
Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз
Цел на проекта
The project aims to design an international standard of scholarly film editions (comparable to the historical-critical editions of texts) in a digital format. The first step would be to present a model for a future edition project for the European film heritage, starting with a pilot DVD of Czech avant-garde film from the 1930s; I will be closely collaborating with experts from the Film School FAMU and the National Film Archive in Prague.We aim at remodelling of the currently eclectic and unsystematic navigation of DVDs on the market (which use additive grouping of material). The idea of indexing and text as a network actually goes back to the European tradition of editing scholarship; it provides sophisticated ways of preserving texts over centuries in their authentic versions and at the same time keeps them alive in methodologically contemporary commentaries. We want to connect these traditional principles of annotation with new digital technologies (applying hypermedia principles of commentary to the linear medium of film).These principles of indexing film shots have, so far, never been applied to critical editions of film classics. Digital editions would also facilitate and ensure a lasting quality in preservation and presentation of the many treasures o f European cinematography and film related material buried in the archives. It could help to foster a closer collaboration of researchers and archivists. A hypertext edition of film could ensure a better reception of the European film heritage in all its diversity. Truly interactive navigation would open up new ways of reception of film art, also allowing for broad access to documentary and non-fiction film material.
Оригинален текст от CORDIS (на английски).
Участници
- ACADEMY OF PERFORMING ARTS IN PRAGUE · PRAHA 1КоординаторНиво градЧехия
Връзки
Данни: CORDIS, © Европейски съюз
