MARMOR · The Graeco-Roman marble artefacts from Syria; their archaeometric identification, archaeological and artistic background
6РП — Действия „Мария Кюри“
- Период
- 2007-06-05 → 2009-06-04
- Финансиране от ЕС
- 206 051 €
- Участници
- 1
- Схема
- EIF
Линиите свързват координатора с партньорите.
Накратко на български
Греко-римските мраморни предмети в Сирия, като паметници в Лаодикия и Палмира, се анализират, за да се установи произходът им. Това помага да се разберат търговските пътища и културните взаимодействия в най-източната част на античния свят.
Кратко обяснение, генерирано от езиков модел по текста на CORDIS. Оригиналът е по-долу.
Резултати накратко
Final Activity Report Summary - MARMOR (The Graeco-Roman Marble Artefacts from Syria. Their Archaeometric Identification, Archaeological and Artistic Background)
The question on marble artefacts import to Syria during Graeco-Roman times has, until fairly recently, almost never been raised and its meaning within a wider cultural context has been neglected. Marble monuments occur in numerous sites over the whole country. They are preserved in various Syrian museums, either on permanent display or in deposits and directly in archaeological sites. They are discovered in very important, strongly Hellenised cities of Graeco-Roman Syria such as Laodicea or Apamea. Others come from sites where the native Semitic element was predominant; this is for example the case of Shahba (Philippopolis), Arados or Palmyra. It should be underlined that there were no marble sources either in Syria or in the rest of the Near East. The only locally available materials were greyish or white limestone, in some cases very fine and strongly recrystallised, sometimes confused with marble. Another stone that was locally extracted was basalt, typical for the south of Syria. Hence, marble and most other coloured stones had to be imported. The MARMOR research project clearly proved that, contrary to the general opinion within the scientific world, marble was widely diffused in Syria to contrast the traditional sculptural and architectural materials of the region. Its symbolic and prestigious values were clear. The multi approach investigation on marble artefacts from the Graeco-Roman period discovered in modern day Syria endeavoured to reveal patterns of cultural interactions, transmissions and exchanges in the easternmost area of the Graeco-Roman world. The important research question was to provide clear evidence for marble trade patterns in this area. During this interdisciplinary research project it was possible to investigate around 200 marble monuments from Syria. In order to accomplish the aims of this project the research followed two directions. In terms of the implemented archaeometric approach, the most vanguard archaeometric methods were applied and the quarry sources of 200 marble artefacts were identified. The first method that was used was a petrographic study. For this purpose, small marble flakes were taken from hidden or already damaged areas of the artefacts. About 200 thin sections were thus prepared and then submitted to careful petrographic investigation. In a next step, stable isotopic ratios of carbon and oxygen were determined by mass spectrometry. Other recent and innovative technologies, such as cathodoluminescence and scanning electron microscopy (SEM), were also used to obtain the most certain and reliable results. These analyses pointed to a variety of quarry sources being used during the Graeco-Roman period in Syria including Paros and mount Pentelikon in Greece and Prokonnesos and Dokimeion in Turkey. Moreover, in terms of the art-historical approach which was also implemented, it became possible to define Classical archetypes and establish the chronology of marble artefacts through iconographic and stylistic investigations. The monuments ranged in scale from colossal to miniature and represented the following typologies according to their function and appearance: 1. free-standing statuary and figurative groups depicting deities or mythological figures. 2. private and official portraiture. 3. relief. 4. sarcophagi and urns. 5. architectural elements. Regarding sculpture, it was concluded that marble artefacts were imported into Syria already since the 5th century BC. Anthropomorphic sarcophagi that were exported from Paros island reached prosperous Phoenician cities of the Syro-Palestinian coast during this period. The monopoly of Paros island since the archaic period for the export of marble artefacts to the western and eastern Mediterranean apparently continued in the Hellenistic Age. It was evident, based on this research project, that when the Roman Empire developed a vast system of marble trade with its administrative system of distribution and extraction import into Syria increased, especially from the Hadrianic period onwards. At this time not only marble from Paros continued to be widely used, but also marbles from the expensive workshops of Athens and Dokimeion were introduced to Syria.
Текст от CORDIS, на английски · Данни: CORDIS, © Европейски съюз
Цел на проекта
The objective of this interdisciplinary research training is to reveal patterns of cultural interaction and exchanges in the easternmost area of the Classical World. This will be achieved through a study of that areas marble monuments. The research will combine archaeological investigation, based on chronological and iconographical criteria, with an innovative petrographic and geochemical method designed to identify the exact origin of the marbles. About one hundred samples will be subject of this investigation. These have already been taken from marble artefacts preserved in several museums and archaeological sites in Syria. The analyses will be done through the most vanguard archaeometric methods, using the most updated reference data base for comparison. The proposed research on Graeco-Roman sculpture from Syria will be a highly important contribution towards a deeper art historical understanding of this period in Syria. It is justified by the absence of any overall monographic study on the subject. This innovative, interdisciplinary and multi-methods approach could in the future be successfully used for the study of marble monuments of the European cultural heritage. The socio-cultural importance of this project should not be underestimated, as it will greatly add to our knowledge and cultural understanding of one of the easternmost areas of the Mediterranean world. Researching and promoting this areas civilisation, its unique history, its singular cultural, artistic and archaeological heritage will lead to a greater awareness of the Middle Eastern countries. Specialised symposia and scholarly publications will advance this knowledge, but just as important will be conferences and popular publications for a wider non specialised public. The research proposed here will encourage a cultural understanding and mutual dialogue between the cultures according to the European Union actions, especially those endorsed by the Anna Lind Euro-Mediterranean Foundation.
Оригинален текст от CORDIS (на английски).
Участници
- KATHOLIEKE UNIVERSITEIT LEUVEN · LEUVENКоординаторБелгия
Връзки
Данни: CORDIS, © Европейски съюз
